|
|
UCONN |
|
|
|
|
|
Documenting the history of the modern press
As a member of the National Press Club, veteran documentary producer Jerry Krell ’57 (SFA) thought the organization’s members would be interested in learning more about the history of what has become a Washington, D.C., icon for newsmakers as well as news reporters. As the National Press Club approached its 100th anniversary in 2008, the club’s leadership took Krell up on his suggestion to develop a history of an organization that also mirrored the nation’s history with a legacy of speeches and events linked to many of the 20th century’s towering figures in politics, culture and American life. “The National Press Club: A Century of Headlines” premiered on public television in the Washington, D.C., area earlier this year and will be made available to public television stations nationwide. The hour-long film, which won the top creative excellence award in 2008 from the International Academy of the Visual Arts, looks at the role of the Press Club in the development of journalism as a profession and shows how changes in society at large impacted and were reflected in this institution. Footage of Watergate reporter Bob Woodward, former CBS anchor Walter Cronkite, legendary UPI White House correspondent Helen Thomas and others reveal facets of journalism as a profession and changes in the field. “There was a transition from print to the electronic medium,” says Krell, “Radio and television reporters didn’t get into the club right away. The print journalists felt they were the real journalists. Then they let the radio reporters in and those from TV. Now blogging and the Internet are changing the game again. I was not trying to make an inside piece on the club. We were interested in how the Press Club reflected journalism both in Washington and throughout the country.” Krell, who received the 2008 Alumni Award from the UConn School of Fine Arts in April, says events at the National Press Club also reflected changes in American society, such as the struggle of women and black journalists to gain equal opportunities in covering news. As in his previous public television documentaries on differences in religious faith and other topics, Krell develops a real-time narrative by sifting through hundreds of hours of historic footage and more than 150 hours of original interviews with club members to weave the history of the organization as told by its members. The filmmaker now is beginning work on the third installment of his religion trilogy, which compares similarities and differences in religious beliefs. — Kenneth Best
Lee and Grant
The Race to Save the World’s Rarest Bird: The Discovery
and Death of the Po’ouli
Naked in the Woods: Joseph Knowles and the Legacy
of Frontier Fakery
| ||
|
© University of Connecticut |
||